Julia Stoschek’s profile picture

Julia Stoschek

Julia Stoschek’s profile picture
Net worth 2018: $1.81 Billion
Industry: Automotive
Country: Germany
BirthDay: 10 June 1975
Sigh: Cancer
Children: 1
BIOGRAPHY

Julia Stoschek was bornon 10 June 1975 in Germany. Julia Stoschek is #1307 in List Billionaires People In The World. Art collector Julia Stoschek is the daughter of Michael Stoschek, who heads up the family's autoparts company, Brose. She owns an estimated 20% of the company. Her father is the grandson of Max Brose, founder of the namesake German auto-parts maker. Michael Stoschek took over the company in 1971 at age 23. Under his leadership, Brose evolved from being a national manufacturer into a world market leader in electrical and mechanical components and integrated systems that are largely invisible to vehicle drivers. Brose calls itself the world's fifth-largest family-owned automotive supplier. Approximately 24,000 employees work for the company at 60 locations in 23 countries. Annual revenues top $6.4 billion. Julia has become a well-known name in the art world, with collection focused on time-based video art. Her collection includes some 700 works of digital and time-based-media art from the 1960s onwards. She is on the board of directors of MoMA PS1, a contemporary art exhibition space that is an affiliate of New York's Museum of Modern Art.

NET WORTH STATISTIC
2017

$1.3 Billion

2018

$1.81 Billion

TIMELINE
2016

In 2016, she opened a satellite exhibition space in a former Czech cultural center in Berlin

2007

The Julia Stoschek Collection in a former industrial building in Düsseldorf-Oberkassel opened in 2007, and has two floors of exhibition space, over 2,500 square metres (27,000 square feet)

1975

Julia Stoschek was born in 1975, the daughter of Michael Stoschek, a German billionaire businessman, chairman of Brose Fahrzeugteile, the German car parts company founded by her great grandfather Max Brose

1960

Her collection features works by mainly European and US artists working from the 1960s onwards and includes video, multi-media environments, internet-based installations and performance

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